Camera Ready now offers Atomos Inferno HDR 7″ monitor available
Day $200.00 Week $370 or for long term projects call for lowest rate in Los Angeles! p (818) 907-7770
Record ProRes RAW
Unlock the true potential of your RAW cinema camera with the Shogun Inferno. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Inferno is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT.
Specifications
Weight | |
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Without batteries & media | 709g / 25.0oz |
With batteries & media | 1153g / 40.7oz |
Dimensions (W x H x D mm) | 214 x 127 x 45mm, 8.4 x 5 x 1.8” |
Construction | High quality lightweight ABS Polycarbonate for durability & portability |
Built-in armor protection |
Power | |
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Operating power | 10 – 33W |
Compatible batteries | NP-F series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 2 x 7.4V) | – |
5200mAh – up to 1.5hrs (monitor & record 4K 30p) | |
7800mAh – up to 2.2hrs (monitor & record 4K 30p) | |
DC In | 1 x DC in (6.2 – 16.8V) |
Continuous power * Patent pending | Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen | |
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Size | 7.1” |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
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AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1500nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) | Yes / Yes Yes / Yes |
Video input/loop out | |
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HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video output (play out) | |
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HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported loop out formats | |
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HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Video signal conversion | |
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HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Supported Codecs & frame rates (record & playback) | |
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Raw to: ProRes RAWProResCinemaDNG (CDNG up to 30p only) Avid DNxHD | Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in cameraCanon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in cameraPanasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Onboard processing | |
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Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes – Loop-out and playback (Not available in RAW) |
Audio in/out (48kHz PCM audio) | |
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HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
Remote start/stop | |
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HDMI | Auto HDMI Trigger Supported Protocols – Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control – Slave |
Playback | |
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Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording | |
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Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Shogun Inferno unit, Master Caddy II x 1, 12V-3A AC power supply, Breakout XLR cable |
Optional extras | Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hoodPower Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.